Shortly before her wedding, Ella learns that she has leukemia. A bone marrow transplant from a blood relative is the only way to save her life. But her mother confesses to her that she was adopted as a baby. Ella sets off in search of her biological mother and begs her: “Mother, I don't want to die!

A staging of a young man's liberation from his bourgeois confinement using only music and sounds.

一位穷困的伯爵不得不去当司机，不过由于他相貌英俊，吸引了不少女性。

This film not only illuminates Heiner Müller's life and works, it is more about questioning the "Sphinx" of the East and its saying about the loss of utopias and examining whether Heiner Müller's texts, as he himself said, were messages in a bottle for the future or not.

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Philipp and Anna live in Berlin's baby boom neighborhood Kreuzberg. They also like to go to the playground, but with their little niece Nele. Anna doesn't want to know anything about Philip's sudden desire to have children. She is on the way to a professorship and insists on the old agreement: no children. The more intimately he makes the baby proposal to his wife, the clearer her rejection will be. Because she has already had to take responsibility for her younger sister Emmi, who was a baby when her mother died. Now Anna wants to lead her own independent life - without children. But being childless is increasingly annoying to Philipp, something is missing. With his own parents, the only son ends up on a sideline. Instead of waiting any longer for grandchildren, Hella and Ulf quickly brought a sponsored child into the house with little Uma through the "Wish Grandma Initiative". Philip can prevent her from getting all of his toys at the last minute.

Marie's father in law dies and leaves the world with his last wish being Marie and her husband to move into his house. Unfortunately Marie's hypochondriac mother in law isn't happy at all with the whole situation...

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